After visiting Hong Kong during the Anti-Extradition Law Amendment Bill Movement, Tekkhean Lee brought back a series of black and white woodcuts filled with dramatic tension. Inspired by the artists of China's New Woodcut Movement during the 1920s and 30s, Lee employed the concept of the then-prevailing "left-wing woodcut prints" while creating his own works. Using pieces of plywood readily available as temporary printing plates, these artworks not only reflect the situation of Hong Kong society at that time but also express the artist's unique ideology.